No matter how many times female comedians buck the conventional wisdom, people continue to ask: ?Are women funny?? The question has been nagging at women off and on (mostly on) for the past sixty years. It?s incendiary, much discussed, and, as proven in Yael Kohen?s fascinating oral history, totally wrongheaded.In We Killed, Kohen pieces together the revolution that happened to (and by) women in American comedy, gathering the country?s most prominent comediennes and the writers, producers, nightclub owners, and colleagues who revolved around them. She starts in the 1950s, when comic success meant ridiculing and desexualizing yourself; when Joan Rivers and Phyllis Diller emerged as America?s favorite frustrated ladies; when the joke was always on them.
Roseanne Barr is a force of nature. Whether taking the sitcom world by storm, challenging accepted social norms, or battling the wild pigs inhabiting her nut farm in Hawaii, she is not to be trifled with. In this return to the printed page, Roseanne unleashes her razor-sharp observations on hypocrisy, hubris, and self-perpetuating institutions of questionable value?as well as menopause, pharmaceuticals, and her grandkids. And she?s as controversial, original, and funny as ever. Raised half-Jewish, half-Mormon, and 100 percent misfit, Roseanne made a deal with Satan early on as the price she paid for stardom. But now she?s looking to refinance the loan of her soul?this book represents her final exorcism of fame.
Who but Carol Burnett herself has the timing, talent, and wit to pull back the curtain on the Emmy-Award winning show that made television history for eleven glorious seasons?
In Such Good Company delves into little-known stories of the guests, sketches and antics that made the show legendary, as well as some favorite tales too good not to relive again. Carol lays it all out for us, from the show's original conception to its evolution into one of the most beloved primetime programs of its generation.
Written with all the charm and humor fans expect from a masterful entertainer like Carol Burnett, In Such Good Company skillfully highlights the elements that made the show so successful in a competitive period when TV variety shows ruled the air waves. Putting the spotlight on everyone from her talented costars to her amazing guest stars - the most celebrated and popular entertainers of their day - Carol crafts a lively portrait of the talent and creativity that went into every episode.
Well, well, well. Look at you, ogling my book page. . . . I presume if you're reading this it means you either need more encouragement to buy it, you're very bored in an airport, or we used to date and you're trying to figure out if you should sue me or not. Here are all the stories and mistakes I've made that were way too embarrassing to tell on stage in front of an actual audience; but thanks to not-so-modern technology, you can read about them here so I don't have to risk having your judgmental eye contact crush my self-esteem. This book contains some delicious schadenfreude in which I recall such humiliating debacles as breaking my shoulder while trying to impress a guy, coming very close to spending my life in a Guatemalan prison, and having my lacerated ear sewn back on by a deaf guy after losing it in a torrid love affair.
From female pop culture powerhouses dominating the entertainment landscape to memoirs from today's most vocal feminist comediennes shooting up the bestseller lists, women in comedy have never been more influential. Marking this cultural shift, The Girl in the Show provides an in-depth exploration of how comedy and feminism have grown hand in hand to give women a stronger voice in the ongoing fight for equality. From I Love Lucy to SNL to today's rising cable and web-series stars, Anna Fields' entertaining retrospective combines amusing and honest personal narratives with the historical, political, and cultural contexts of the feminist movement.
This latest collection of humorous riffs from DeGeneres (The Funny This Is...) goes down as easily as one of the comedian and talk show host's monologues. Arranged loosely around the idea of happiness and how she's found it, the term "loosely" is used loosely, since DeGeneres veers into topics as diverse as mirrors that magnify your pores (avoid them) and the secret of life (spoiler: it's kale). She's at her best and wittiest when her mind leapfrogs from topic to topic, as in the segue??"or lack of one??"between a chapter entitled "Ideas," in which DeGeneres recounts a thought that once came to her while hanging upside down in a Pilates machine, and "Gambling," where the reader learns such helpful tips as if you don't win the slot machine jackpot, don't despair, just go to the roulette table. There's also a smattering of serious issues??"identity, homosexuality and gay marriage; inner beauty; and the dangers of labels and stereotypes??"but DeGeneres handles each with humor: in "Babies, Animals, and Baby Animals," she addresses the much-asked question of whether or not she and wife Portia de Rossi will have children (no, but she can tell which end of a baby you feed). Whatever the topic, DeGeneres's compulsively readable style will appeal to fans old and new,
From her youthful days as a vicious nerd to her tour of duty on Saturday Night Live; from her passionately halfhearted pursuit of physical beauty to her life as a mother eating things off the floor; from her one-sided college romance to her nearly fatal honeymoon, comedian Tina Fey reveals all, and proves that you're no one until someone calls you bossy.
NEW YORK TIMES BESTSELLER
From stand-up comedian, actress, and breakout star of Girls Trip, Tiffany Haddish, comes The Last Black Unicorn, a sidesplitting, hysterical, edgy, and unflinching collection of (extremely) personal essays, as fearless as the author herself.
Growing up in one of the poorest neighborhoods of South Central Los Angeles, Tiffany learned to survive by making people laugh. If she could do that, then her classmates would let her copy their homework, the other foster kids she lived with wouldn't beat her up, and she might even get a boyfriend. Or at least she could make enough money - as the paid school mascot and in-demand Bar Mitzvah hype woman - to get her hair and nails done, so then she might get a boyfriend.
None of that worked (and she's still single) , but it allowed Tiffany to imagine a place for herself where she could do something she loved for a living: comedy.
Tiffany can't avoid being funny - it's just who she is, whether she's plotting shocking, jaw-dropping revenge on an ex-boyfriend or learning how to handle her newfound fame despite still having a broke person's mind-set. Finally poised to become a household name, she recounts with heart and humor how she came from nothing and nowhere to achieve her dreams by owning, sharing, and using her pain to heal others.
By turns hilarious, filthy, and brutally honest, The Last Black Unicorn shows the world who Tiffany Haddish really is - humble, grateful, down-to-earth, and funny as hell. And now, she's ready to inspire others through the power of laughter.
Still rerun daily in thirty countries throughout the world and beloved by fans young and old, the enduring popularity "I Love Lucy" is unparalleled. Upon the 60th anniversary of the landmark television show?s debut and the 100th birthday of superstar Lucille Ball, "I Love Lucy" is the ultimate celebration of the show we love.
This book brings to life the world of the show and its impact more fully than ever before. Rare backstage photos and images from the stars? personal collections illustrate new stories about the making of "I Love Lucy." Highlights include Lucille Ball?s personal commentary on her favorite episodes, taken from previously unpublished interviews. Chapters filled with trivia, character bios, fashions, music, recipes featured on the show, and much more make this an informative and fabulously entertaining tribute to the classic show.
In a haze of vape smoke on a rare windy night in L.A. in the fall of 2016, Chelsea Handler daydreams about what life will be like with a woman in the White House. And then Donald Trump happens. In a torpor of despair, she decides that she's had enough of the privileged bubble she's lived in - a bubble within a bubble - and that it's time to make some changes, both in her personal life and in the world at large.
At home, she embarks on a year of self-sufficiency - learning how to work the remote, how to pick up dog shit, where to find the toaster. She meets her match in an earnest, brainy psychiatrist and enters into therapy, prepared to do the heavy lifting required to look within and make sense of a childhood marked by love and loss and to figure out why people are afraid of her. She becomes politically active - finding her voice as an advocate for change, having difficult conversations, and energizing her base. In the process, she develops a healthy fixation on Special Counsel Robert Mueller and, through unflinching self-reflection and psychological excavation, unearths some glittering truths that light up the road ahead.
Thrillingly honest, insightful, and deeply, darkly funny, Chelsea Handler's memoir keeps readers laughing, even as it inspires us to look within and ask ourselves what really matters in our own lives.
In Why Not Me?, Kaling shares her ongoing journey to find contentment and excitement in her adult life, whether it's falling in love at work, seeking new friendships in lonely places, attempting to be the first person in history to lose weight without any behavior modification whatsoever, or most important, believing that you have a place in Hollywood when you're constantly reminded that no one looks like you.
In "How to Look Spectacular: A Starlet's Confessions," Kaling gives her tongue-in-cheek secrets for surefire on-camera beauty, ("Your natural hair color may be appropriate for your skin tone, but this isn't the land of appropriate-this is Hollywood, baby. Out here, a dark-skinned woman's traditional hair color is honey blonde.") "Player" tells the story of Kaling being seduced and dumped by a female friend in L.A. ("I had been replaced by a younger model. And now they had matching bangs.") In "Unlikely Leading Lady," she muses on America's fixation with the weight of actresses, ("Most women we see onscreen are either so thin that they're walking clavicles or so huge that their only scenes involve them breaking furniture.") And in "Soup Snakes," Kaling spills some secrets on her relationship with her ex-boyfriend and close friend, B.J. Novak ("I will freely admit: my relationship with B.J. Novak is weird as hell.")
Mindy turns the anxieties, the glamour, and the celebrations of her second coming-of-age into a laugh-out-loud funny collection of essays that anyone who's ever been at a turning point in their life or career can relate to. And those who've never been at a turning point can skip to the parts where she talks about meeting Bradley Cooper.
One of America's most original comedic voices delivers a darkly funny, wryly observed, and emotionally raw account of her year of death, cancer, and epiphany.
In the span of four months in 2012, Tig Notaro was hospitalized for a debilitating intestinal disease called C. diff, her mother unexpectedly died, she went through a breakup, and then she was diagnosed with bilateral breast cancer.
Hit with this devastating barrage, Tig took her grief onstage. Days after receiving her cancer diagnosis, she broke new comedic ground, opening an unvarnished set with the words: "Good evening. Hello. I have cancer. How are you? Hi, how are you? Is everybody having a good time? I have cancer." The set went viral instantly and was ultimately released as Tig's sophomore album, Live, which sold one hundred thousand units in just six weeks and was later nominated for a Grammy.
Now, the wildly popular star takes stock of that no good, very bad year - a difficult yet astonishing period in which tragedy turned into absurdity and despair transformed into joy. An inspired combination of the deadpan silliness of her comedy and the open-hearted vulnerability that has emerged in the wake of that dire time, I'm Just a Person is a moving and often hilarious look at this very brave, very funny woman's journey into the darkness and her thrilling return from it.
"Is there a secret to happiness?" asks comedian Paula Poundstone. "I don't know how or why anyone would keep it a secret. It seems rather cruel, really . . . Where could it be? Is it deceptively simple? Does it melt at a certain temperature? Can you buy it? Must you suffer for it before or after?" In her wildly and wisely observed book, the comedy legend takes on that most inalienable of rights - the pursuit of happiness.
Offering herself up as a human guinea pig in a series of thoroughly unscientific experiments, Poundstone tries out a different get-happy hypothesis in each chapter of her data-driven search. She gets in shape with taekwondo. She drives fast behind the wheel of a Lamborghini. She communes with nature while camping with her daughter, and commits to getting her house organized (twice!) . Swing dancing? Meditation? Volunteering? Does any of it bring her happiness? You may be laughing too hard to care.
The Totally Unscientific Study of the Search for Human Happiness is both a story of jumping into new experiences with both feet and a surprisingly poignant tale of a single working mother of three children (not to mention dozens of cats, a dog, a bearded dragon lizard, a lop-eared bunny, and one ant left from her ant farm) who is just trying to keep smiling while living a busy life.
Do you want to get to know the woman we first came to love on Comedy Centrals Upright Citizens Brigade? Do you want to spend some time with the lady who made you howl with laughter on Saturday Night Live, and in movies like Baby Mama, Blades of Glory, and They Came Together? Do you find yourself daydreaming about hanging out with the actor behind the brilliant Leslie Knope on Parks and Recreation? Did you wish you were in the audience at the last two Golden Globes ceremonies, so you could bask in the hilarity of Amys one-liners? If your answer to these questions is Yes Please! then you are in luck. In her first book, one of our most beloved funny folk delivers a smart, pointed, and ultimately inspirational read. Full of the comedic skill that makes us all love Amy, Yes Please is a rich and varied collection of stories, lists, poetry Plastic Surgery Haiku, to be specific, photographs, mantras and advice.
Joan Rivers is at it again. When her daughter Melissa gives her a diary for Christmas, at first Joan is horrified - who the hell does Melissa think she is? That fat pig, Bridget Jones? But as Joan, being both beautiful and introspective, begins to record her day-to-day musings, she realizes she has a lot to say.
About everything. And everyone, God help them.
The result? A no-holds-barred, delightfully vicious and always hilarious look at the everyday life of the ultimate diva. Follow Joan on a family vacation in Mexico and on trips between New York and Los Angeles where she mingles with the stars, never missing a beat as she delivers blistering critiques on current events, and excoriating insights about life, pop culture, and celebrities (from A to D list) , all in her relentlessly funny signature style.
Being a black woman in America means contending with old prejudices and fresh absurdities every day. Comedian Phoebe Robinson has experienced her fair share over the years: she's been unceremoniously relegated to the role of "the black friend," as if she is somehow the authority on all things racial; she's been questioned about her love of U2 and Billy Joel ("isn't that . . . white people music?"); she's been called "uppity" for having an opinion in the workplace; she's been followed around stores by security guards; and yes, people do ask her whether they can touch her hair All. The. Time. Now, she's ready to take these topics to the page - and she's going to make you laugh as she's doing it.
Using her trademark wit alongside pop-culture references galore, Robinson explores everything from why Lisa Bonet is "Queen. Bae. Jesus," to breaking down the terrible nature of casting calls, to giving her less-than-traditional advice to the future female president, and demanding that the NFL clean up its act, all told in the same conversational voice that launched her podcast, 2 Dope Queens, to the top spot on iTunes. As personal as it is political, You Can't Touch My Hair examines our cultural climate and skewers our biases with humor and heart, announcing Robinson as a writer on the rise.
After David Letterman publicly confessed that he'd had "sex with staffers, " former Late Night writer Nell Scovell felt compelled to speak out. Her revelations about gender discrimination in late night TV ignited a serious, sometimes contentious cultural debate about diversity in the workplace. Two years later, Nell was collaborating with Sheryl Sandberg on speeches and Lean In.
In Just the Funny Parts, Nell shares revealing stories about some of the biggest names in entertainment, including Mark Harmon, Bette Midler, Andy Samberg, Candice Bergen, and Bart Simpson. She'll take you inside the writers' room where she worked side-by-side with David Letterman, Larry David, Garry Shandling, and Conan O'Brien (to name a few).?
Just the Funny Parts chronicles how Nell survived in a highly-competitive, often hostile environment. As she puts it, "It's like Unbroken . . . but funnier and with slightly less torture." Timely and humorous, this book offers invaluable workplace advice for men and women, and provides new insights into creating a more equal future.
In her book Self-Inflicted Wounds, comedian, actress, and cohost of CBS?s daytime hit show "The Talk", Aisha Tyler recounts a series of epic mistakes and hilarious stories of crushing personal humiliation, and the personal insights and authentic wisdom she gathered along the way. Tyler was a co-host of "The Talk" for several seasons.
The essays in Self-Inflicted Wounds are refreshingly and sometimes brutally honest, surprising, and laugh-out-loud funny, vividly translating the brand of humor Tyler has cultivated through her successful standup career, as well as the strong voice and unique point of view she expresses on her taste-making comedy podcast Girl on Guy.?Riotous, revealing, and wonderfully relatable, Aisha Tyler?s Self-Inflicted Wounds: Heartwarming Tales of Epic Humiliation is about the power of calamity to shape life, learning, and success.
In her hit Netflix comedy special Baby Cobra, an eight-month pregnant Ali Wong resonated so strongly that she even became a popular Halloween costume. Wong told the world her remarkably unfiltered thoughts on marriage, sex, Asian culture, working women, and why you never see new mom comics on stage but you sure see plenty of new dads.
The sharp insights and humor are even more personal in this completely original collection. She shares the wisdom she's learned from a life in comedy and reveals stories from her life off stage, including the brutal single life in New York, reconnecting with her roots (and drinking snake blood) in Vietnam, tales of being a wild child growing up in San Francisco, and parenting war stories. Though addressed to her daughters, Ali Wong's letters are absurdly funny, surprisingly moving, and enlightening (and gross) for all.
At once endearing and hilarious, thoughtful and far-fetched, this third collection offers Ali at her wisest and wittiest as she delivers tips, pointers, and quips on a host of life's conundrums and sticky situations, including the funny, sometimes embarrassing yet unforgettable situations that have shaped her inimitable world view as a wife, mother, actress, comedian, and all around bon vivant. Thoroughly entertaining, Go Ask Ali is packed with thoughts and musings from "the girlfriend you want to have a glass of wine with, the one who makes you laugh because she sees the funny and the absurd in everything" (Huffington Post) .