A stunning new volume from the first Native American Poet Laureate of the United States, informed by her tribal history and connection to the land.
In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family's lands and opens a dialogue with history. In An American Sunrise, Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared. From her memory of her mother's death, to her beginnings in the native rights movement, to the fresh road with her beloved, Harjo's personal life intertwines with tribal histories to create a space for renewed beginnings. Her poems sing of beauty and survival, illuminating a spirituality that connects her to her ancestors and thrums with the quiet anger of living in the ruins of injustice.?
An inspired weaving of indigenous knowledge, plant science, and personal narrative from a distinguished professor of science and a Native American whose previous book, Gathering Moss, was awarded the John Burroughs Medal for outstanding nature writing. As a botanist and professor of plant ecology, Robin Wall Kimmerer has spent a career learning how to ask questions of nature using the tools of science. As a Potawatomi woman, she learned from elders, family, and history that the Potawatomi, as well as a majority of other cultures indigenous to this land, consider plants and animals to be our oldest teachers. In?Braiding Sweetgrass, Kimmerer brings these two lenses of knowing together to reveal what it means to see humans as "the younger brothers of creation." As she explores these themes she circles toward a central argument: the awakening of a wider ecological consciousness requires the acknowledgement and celebration of our reciprocal relationship with the world. Once we begin to listen for the languages of other beings, we can begin to understand the innumerable life-giving gifts the world provides us and learn to offer our thanks, our care, and our own gifts in return.
As a leading researcher in the field of biology, Robin Wall Kimmerer understands the delicate state of our world. But as an active member of the Potawatomi nation, she senses and relates to the world through a way of knowing far older than any science. In?Braiding Sweetgrass, she intertwines these two modes of awareness?the analytic and the emotional, the scientific and the cultural?to ultimately reveal a path toward healing the rift that grows between people and nature. The woven essays that construct this book bring people back into conversation with all that is green and growing; a universe that never stopped speaking to us, even when we forgot how to listen.
Almost forty years since its original publication, Ceremony remains one of the most profound and moving works of Native American literature - a novel that is itself a ceremony of healing. Masterfully written, filled with the somber majesty of Pueblo myth, Ceremony is a work of enduring power.
A long-awaited poetry collection by one of our most essential Native American voices.In these poems, the joys and struggles of the everyday are played against the grinding politics of being human. Beginning in a hotel room in the dark of a distant city, we travel through history and follow the memory of the Trail of Tears from the bend in the Tallapoosa River to a place near the Arkansas River. Stomp dance songs, blues, and jazz ballads echo throughout. Lost ancestors are recalled. Resilient songs are born, even as they grieve the loss of their country. Called a "magician and a master" (San Francisco Chronicle), Joy Harjo is at the top of her form in Conflict Resolution for Holy Beings. ---
In this transcendent memoir, grounded in tribal myth and ancestry, music and poetry, Joy Harjo, one of our leading Native American voices, details her journey to becoming a poet. Born in Oklahoma, the end place of the Trail of Tears, Harjo grew up learning to dodge an abusive stepfather by finding shelter in her imagination, a deep spiritual life, and connection with the natural world. She attended an Indian arts boarding school, where she nourished an appreciation for painting, music, and poetry; gave birth while still a teenager; and struggled on her own as a single mother, eventually finding her poetic voice. Narrating the complexities of betrayal and love, Crazy Brave is a memoir about family and the breaking apart necessary in finding a voice.
James Welch never shied away from depicting the lives of Native Americans damned by destiny and temperament to the margins of society. The Death of Jim Loney is no exception. Jim?Loney is a mixed-blood, of white and Indian parentage. Estranged from both communities, he lives a solitary, brooding existence in a small Montana town. His nights are filled with disturbing dreams that haunt his waking hours. Rhea, his lover, cannot console him; Kate, his sister, cannot penetrate his world. In sparse, moving prose, Welch has crafted a riveting tale of disenfranchisement and self-destruction.
Every winter, Tommy Jack McMorsey watches the meteor showers in northern Minnesota. On the long haul from Texas to Minnesota, Tommy encounters a deluded Japanese tourist determined to find the buried ransom money from the movie Fargo. When the Japanese tourist dies of exposure in Tommy Jack's care, a media storm erupts and sets off a series of journeys into Tommy Jack's past as he remembers the horrors of Vietnam, a love affair, and the suicide of his closest friend, Fred Howkowski. Exploring with great insight and wit the ways images, stereotypes, and depictions intersect with, Extra Indians offers a powerful glimpse into contemporary Native American life.
Good Friday on the Rez follows the author on a one-day, 280-mile round-trip from his boyhood Nebraska hometown of Alliance to the Pine Ridge Indian Reservation in South Dakota, where he reconnects with his longtime friend and blood brother, Vernell White Thunder. In a compelling mix of personal memoir and recent American Indian history, David Hugh Bunnell debunks the prevalent myth that all is hopeless for these descendants of Crazy Horse, Red Cloud, and Sitting Bull and shows how the Lakota people have recovered their pride and dignity and why they will ultimately triumph.
What makes this narrative special is Bunnell's own personal experience of close to forty years of friendships and connections on the Rez, as well as his firsthand exposure to some of the historic events. When he lived on Pine Ridge at the same time of the American Indian Movement's seventy-one-day siege at Wounded Knee in 1973, he met Russell Means and got a glimpse behind the barricades. Bunnell has also seen the more recent cultural resurgence firsthand, attending powwows and celebrations, and even getting into the business of raising a herd of bison.
Substantive and raw, Good Friday on the Rez is for readers who care about the historical struggles and the ongoing plight of Native Americans, and in particular, that of the Lakota Sioux, who defeated the U.S. Army twice, and whose leaders have become recognized as among America's greatest historical figures.
A special 50th anniversary edition of the magnificent Pulitzer Prize-winning classic from N. Scott Momaday, with a new preface by the authorA young Native American, Abel has come home from war to find himself caught between two worlds. The first is the world of his grandfather's, wedding him to the rhythm of the seasons, the harsh beauty of the land, and the ancient rites and traditions of his people. But the other world - modern, industrial America - pulls at Abel, demanding his loyalty, claiming his soul, and goading him into a destructive, compulsive cycle of depravity and disgust. Beautifully rendered and deeply affecting, House Made of Dawn has moved and inspired readers and writers for the last fifty years. It remains, in the words of The Paris Review, "both a masterpiece about the universal human condition and a masterpiece of Native American literature.
A serial murderer called the Indian Killer is terrorizing Seattle, hunting, scalping, and slaughtering white men. Motivated by rage and seeking retribution for his people's violent history, his grizzly MO and skillful elusiveness both paralyze the city with fear and prompt an uprising of racial brutality. Out of the chaos emerges John Smith. Born to Indians but raised by white parents, Smith yearns for his lost heritage.
Years ago, seventeen-year-old Apache hunter Lozen and her family lived in a world of haves and have-nots. There were the Onespeople so augmented with technology and genetic enhancements that they were barely humanand there was everyone else who served them. Then the Cloud came, and everything changed. Tech stopped working. The world plunged back into a new steam age. The Ones petsgenetically engineered monstersturned on them and are now loose on the world.Lozen was not one of the lucky ones pre-C, but fate has given her a unique set of survival skills and magical abilities. She hunts monsters for the Ones who survived the apocalyptic events of the Cloud, which ensures the safety of her kidnapped family. But with every monster she takes down, Lozens powers grow, and she connects those powers to an ancient legend of her people.
In Lakota tradition, the bow and arrow were more than tools for hunting or battle. The bow's resilience and flexibility, the arrow's grace and power, the archer's focus and patience-in these, we find the essential qualities for living a life of strength, purpose,and simplicity. In The Lakota Way of Strength and Courage, Joseph M. Marshall builds upon the central metaphor of the bow and arrow to provide a treasury of insights, stories, and irreplaceable wisdom.
North Dakota, late summer, 1999. Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence - but when the buck springs away, Landreaux realizes he's hit something else, a blur he saw as he squeezed the trigger. When he staggers closer, he realizes he has killed his neighbor's five-year-old son, Dusty Ravich.
The two families have always been close, sharing food, clothing, and rides into town; their children played together despite going to different schools; and Landreaux's wife, Emmaline, is half sister to Dusty's mother, Nola. Horrified at what he's done, the recovered alcoholic turns to an Ojibwe tribe tradition - the sweat lodge - for guidance, and finds a way forward. Following an ancient means of retribution, he and Emmaline will give LaRose to the grieving Peter and Nola. "Our son will be your son now," they tell them.
LaRose is quickly absorbed into his new family. Plagued by thoughts of suicide, Nola dotes on him, keeping her darkness at bay. His fierce, rebellious new "sister," Maggie, welcomes him as a coconspirator who can ease her volatile mother's terrifying moods. Gradually he's allowed shared visits with his birth family, whose sorrow mirrors the Raviches' own. As the years pass, LaRose becomes the linchpin linking the Irons and the Raviches, and eventually their mutual pain begins to heal.
For the first time in the two hundred years since Lewis and Clark led their expedition from St. Louis to the Pacific, we hear the other side of the story?as we listen to nine descendants of the Indians whose homelands were traversed. Among those who speak: Newspaper editor Mark Trahant writes of his childhood belief that he was descended from Clark and what his own research uncovers. Award-winning essayist and fiction writer Debra Magpie Earling describes the tribal ways that helped her nineteenth-century Salish ancestors survive, and that still work their magic today. Montana political figure Bill Yellowtail tells of the efficiency of Indian trade networks, explaining how axes that the expedition traded for food in the Mandan and Hidatsa villages of Kansas had already arrived in Nez Perce country by the time Lewis and Clark got there a few months and 1,000 miles later.
A landmark anthology celebrating twenty-one Native poets first published in the twenty-first century
New Poets of Native Nations gathers poets of diverse ages, styles, languages, and tribal affiliations to present the extraordinary range and power of new Native poetry. Heid E. Erdrich has selected twenty-one poets whose first books were published after the year 2000 to highlight the exciting works coming up after Joy Harjo and Sherman Alexie. Collected here are poems of great breadth -- long narratives, political outcries, experimental works, and traditional lyrics -- and the result is an essential anthology of some of the best poets writing now.
Poets included are Tacey M. Atsitty, Trevino L. Brings Plenty, Julian Talamantez Brolaski, Laura Da', Natalie Diaz, Jennifer Elise Foerster, Eric Gansworth, Gordon Henry, Jr., Sy Hoahwah, LeAnne Howe, Layli Long Soldier, Janet McAdams, Brandy Nalani McDougall, Margaret Noodin, dg okpik, Craig Santos Perez, Tommy Pico, Cedar Sigo, M. L. Smoker, Gwen Westerman, and Karenne Wood.
Thomas Wazhashk is the night watchman at the jewel bearing plant, the first factory located near the Turtle Mountain Reservation in rural North Dakota. He is also a Chippewa Council member who is trying to understand the consequences of a new "emancipation" bill on its way to the floor of the United States Congress. It is 1953 and he and the other council members know the bill isn't about freedom; Congress is fed up with Indians. The bill is a "termination" that threatens the rights of Native Americans to their land and their very identity. How can the government abandon treaties made in good faith with Native Americans "for as long as the grasses shall grow, and the rivers run"?
Since graduating high school, Pixie Paranteau has insisted that everyone call her Patrice. Unlike most of the girls on the reservation, Patrice, the class valedictorian, has no desire to wear herself down with a husband and kids. She makes jewel bearings at the plant, a job that barely pays her enough to support her mother and brother. Patrice's shameful alcoholic father returns home sporadically to terrorize his wife and children and bully her for money. But Patrice needs every penny to follow her beloved older sister, Vera, who moved to the big city of Minneapolis. Vera may have disappeared; she hasn't been in touch in months, and is rumored to have had a baby. Determined to find Vera and her child, Patrice makes a fateful trip to Minnesota that introduces her to unexpected forms of exploitation and violence, and endangers her life.
Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.
Opening July 4, 1969, on the Pine Ridge Reservation, The Red Bird All-Indian Traveling Band begins with a raucous Fourth of July gig that abruptly ends with the Red Birds ducking out of the performance in a?hail of beer bottles. By the end of the evening, community member Buffalo Ames is dead, presumed to be murdered, just outside the bar. Sissy Roberts, the bands singer and the best female guitar picker on the rez, is reluctantly drawn into the ensuing investigation by an FBI agent who discovers Sissys knack for hearing other peoples secrets. The Red Bird All-Indian Traveling Band is part mystery, part community chronicle. Shaped by a cast of skillfully drawn characters, all of whom at one time or another are potential suspects, at the core of the story is smart and compassionate Sissy.
Celebrated novelist David Treuer has gained a reputation for writing fiction that expands the horizons of Native American literature. In Rez Life, his first full-length work of nonfiction, Treuer brings a novelist's storytelling skill and an eye for detail to a complex and subtle examination of Native American reservation life, past and present.
With authoritative research and reportage, Treuer illuminates misunderstood contemporary issues of sovereignty, treaty rights, and natural-resource conservation. He traces the waves of public policy that have disenfranchised and exploited Native Americans, exposing the tension that has marked the historical relationship between the United States government and the Native American population. Through the eyes of students, teachers, government administrators, lawyers, and tribal court judges, he shows how casinos, tribal government, and the Bureau of Indian Affairs have transformed the landscape of Native American life.
Sovereign Bones is an exploration of indigenous peoples and how they have managed to maintain separate identities, in spite of their assimilation into the broader American culture. Edited by Eric Gansworth, this collection of original writing focuses on the key role that writers and visual artists have played in the struggle of native peoples to retain their individual identities. In personal essays, memoir, and historical reflections, each writer explores the ways in which they arrived at their work and how they have retained a traditional way of life in that work.?Featured authors include: Marijo Moore, Louise Erdrich, Alex Jacobs, Heid Erdrich, Maurice Kenny, Diane Glancy, Jeanette Weaskus, Simon Ortiz.
Silko's groundbreaking book Storyteller, first published in 1981, blends original short stories and poetry influenced by the traditional oral tales that she heard growing up on the Laguna Pueblo in New Mexico with autobiographical passages, folktales, family memories, and photographs. As she mixes traditional and Western literary genres, Silko examines themes of memory, alienation, power, and identity; communicates Native American notions regarding time, nature, and spirituality; and explores how stories and storytelling shape people and communities. Storyteller illustrates how one can frame collective cultural identity in contemporary literary forms, as well as illuminates the importance of myth, oral tradition, and ritual in Silko's own work.
Beautifully written and startlingly original, Through Black Spruce takes the considerable talents of Canadian novelist Joseph Boyden to new and exciting heights. This is the story of two immensely compelling characters: Will Bird, a legendary Cree bush pilot who lies comatose in a remote Ontario hospital; and Annie Bird, Will's niece, a beautiful loner and trapper who has come to sit beside her uncle's bed. Broken in different ways, the two take silent communion in their unspoken kinship, revealing a story rife with heartbreak, fierce love, ancient feuds, mysterious disappearances, murders, and the bonds that hold a family, and a people, together.
Clyde Bellecourt, co-founder of the American Indian Movement, provides an intimate narrative of his childhood on the White Earth Reservation, his long journey through the prison system, and the front lines of 1970's social activism, where he went to war against entrenched racism. He addresses his battles with addiction, the abuse he endured at the hands of a Catholic priest, and his relationship to the cases of Leonard Peltier and murdered AIM activist Anna Mae Aquash. This gritty, as-told-to memoir uncovers the humanity behind Bellecourt's militant image, revealing a sensitive spirit whose wounds motivated him to confront injustice, altering the course of Native and American history."This book is the whole truth, and nothing but the truth, so help me God.
A searing, deeply moving memoir about family, love, loss, and forgiveness from the critically acclaimed, bestselling National Book Award-winning author of The Absolutely True Diary of a Part-Time Indian.
Family relationships are never simple. But Sherman Alexie's bond with his mother Lillian was more complex than most. She plunged her family into chaos with a drinking habit, but shed her addiction when it was on the brink of costing her everything. She survived a violent past, but created an elaborate facade to hide the truth. She selflessly cared for strangers, but was often incapable of showering her children with the affection that they so desperately craved. She wanted a better life for her son, but it was only by leaving her behind that he could hope to achieve it. It's these contradictions that made Lillian Alexie a beautiful, mercurial, abusive, intelligent, complicated, and very human woman.