"Quaint, meditative and sometimes dreamy, blankets will take you straight back to your first kiss." --The GuardianBlankets is the story of a young man coming of age and finding the confidence to express his creative voice. Craig Thompsons poignant graphic memoir plays out against the backdrop of a Midwestern winterscape: finely-hewn linework draws together a portrait of small town life, a rigorously fundamentalist Christian childhood, and a lonely, emotionally mixed-up adolescence.
Under an engulfing blanket of snow, Craig and Raina fall in love at winter church camp, revealing to one another their struggles with faith and their dreams of escape. Over time though, their personal demons resurface and their relationship falls apart. Its a universal story, and Thompsons vibrant brushstrokes and unique page designs make the familiar heartbreaking all over again.
This groundbreaking graphic novel, winner of two Eisner and three Harvey Awards, is an eloquent portrait of adolescent yearning; first love (and first heartache) ; faith in crisis; and the process of moving beyond all of that. Beautifully rendered in pen and ink, Thompson has created a love story that lasts.
In Emily Carroll's haunting adult graphic novel horror story A Guest in the House, a young woman marries a kind dentist only to realize that there's a dark mystery surrounding his former wife's death.After many lonely years, Abby's just gotten married. She met her new husband -- a recently widowed dentist -- when he arrived in town with his young daughter, seeking a new start. Although it's strange living in the shadow of her predecessor, Abby does her best to be a good wife and mother. But the more she learns about her new husband's first wife, the more things don't add up. And Abby starts to wonder . . . was Sheila's death really by natural causes? As Abby sinks deeper into confusion, Sheila's memory seems to become a force all its own, ensnaring Abby in a mystery that leaves her obsessed, fascinated, and desperately in love for the first time in her life.
A young Black girl finds herself trapped between desperation and her family's dark history in this horror graphic novel Aisha has suffered a devastating loss. Her parents were killed in a car crash, and now she must move to decrepit and derelict Detroit to live with her ailing grandmother. However, shortly after moving in, Aisha's grandmother's health rapidly deteriorates. With her dying breath, she summons the dark spirit that has protected their family for generations to watch over Aisha. At first it seems that this spirit, whom Aisha refers to as the Keeper, is truly doing as her grandmother asked, caring for Aisha and keeping her safe; however, it soon becomes clear that this being can only sustain itself by stealing life from others. As the Keeper begins to prey on the apartment building's other residents, Aisha and her friends must come together to destroy it .
This long-awaited new graphic novel from Daniel Clowes (Ghost World and Patience) is a genre-bending thriller from one of the most innovative storytellers of all time.
Monica is a series of interconnected narratives that collectively tell the life story -- actually, stories -- of its title character. Clowes calls upon a lifetime of inspiration to create the most complex and personal graphic novel of his distinguished career. Rich with visual detail, an impeccable ear for language and dialogue, and thrilling twists, Monica is a multilayered masterpiece in comics form that alludes to many of the genres that have defined the medium -- war, romance, horror, crime, the supernatural, etc. -- but in a mysterious, uncategorizable, and quintessentially Clowesian way that rewards multiple readings.
In this debut, which takes the form of a fictional graphic diary, a 10-year-old girl tries to solve a murder. Set against the tumultuous political backdrop of late '60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold.
When Karen's investigation takes us back to Anka's life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge. Full-color illustrations throughout.
From Bill Watterson, bestselling creator of the beloved comic strip Calvin and Hobbes, and John Kascht, one of America's most renowned caricaturists, comes a mysterious and beautifully illustrated fable about what lies beyond human understanding. . In a fable for grown-ups by cartoonist Bill Watterson, a long-ago kingdom is afflicted with unexplainable calamities. Hoping to end the torment, the king dispatches his knights to discover the source of the mysterious events. Years later, a single battered knight returns..
For the book's illustrations, Watterson and caricaturist John Kascht worked together for several years in unusually close collaboration. Both artists abandoned their past ways of working, inventing images together that neither could anticipate - a mysterious process in its own right.
Everyone who was invited to the house knows Walter--well, they know him a little, anyway. Some met him in childhood; some met him months ago. And Walter's always been a little...off. But after the hardest year of their lives, nobody was going to turn down Walter's invitation to an astonishingly beautiful house in the woods, overlooking an enormous sylvan lake. It's beautiful, it's opulent, it's private--so a week of putting up with Walter's weird little schemes and nicknames in exchange for the vacation of a lifetime? Why not? All of them were at that moment in their lives when they could feel themselves pulling away from their other friends; wouldn't a chance to reconnect be...nice? In The Nice House on the Lake, the overriding anxieties of the 21st century get a terrifying new face-and it might just be the face of the person you once trusted most.
The first volume in a new graphic novel horror trilogy from Marjorie Liu and Sana Takeda - the creative team behind the New York Times bestselling series MonstressChinese American twins, Milly and Billy, are having a tough time. On top of the multiple failures in their personal and professional lives, they're struggling to keep their restaurant afloat.
Luckily their parents, Ipo and Keon, are in town for their annual visit. Having immigrated from Hong Kong before the twins were born, Ipo and Keon have supported their children through thick and thin and are ready to lend a hand - but they're starting to wonder, has their support made Milly and Billy incapable of standing on their own? When Ipo forces them to help her clean up the house next door - a hellish and run-down ruin that was the scene of a grisly murder - the twins are in for a nasty surprise.
Spring Break, 2009: Five days, three friends, and one big city.Roaming marks a triumphant return to the graphic novel and a deft foray into new adult fiction for Caldecott Medal authors Jillian Tamaki and Mariko Tamaki. . Over the course of a much-anticipated trip to New York, an unexpected fling blossoms between casual acquaintances and throws a long-term friendship off-balance. Emotional tensions vibrate wildly against the resplendently illustrated backdrop of the city, capturing a spontaneous queer romance in all of its fledgling glory.
Slick attention to the details of a bustling, intimidating metropolis are softened with a palette of muted pastels, as though seen through the eyes of first-time travelers. The awe, wonder, and occasional stumble along the way come to life with stunning accuracy.
A major graphic novel event more than 16 years in progress: part one of the ongoing bifurcated masterwork from the brilliant and beloved author of Jimmy Corrigan: The Smartest Kid on Earth and Building Stories.Rusty Brown is a fully interactive, full-color articulation of the time-space interrelationships of three complete consciousnesses in the first half of a single midwestern American day and the tiny piece of human grit about which they involuntarily orbit.
A sprawling, special snowflake accumulation of the biggest themes and the smallest moments of life, Rusty Brown literately and literally aims at nothing less than the coalescence of one half of all of existence into a single museum-quality picture story, expertly arranged to present the most convincingly ineffable and empathetic illusion of experience for both life-curious readers and traditional fans of standard reality.
From childhood to old age, no frozen plotline is left unthawed in the entangled stories of a child who awakens without superpowers, a teen who matures into a paternal despot, a father who stores his emotional regrets on the surface of Mars and a late-middle-aged woman who seeks the love of only one other person on planet Earth.
A brilliantly original debut graphic novel that imagines a fantastical Cairo where wishes really do come true. Shubeik Lubeik - a fairy tale rhyme that means "your wish is my command" in Arabic - is the story of three people who are navigating a world where wishes are literally for sale.Three wishes that are sold at an unassuming kiosk in Cairo link Aziza, Nour, and Shokry, changing their perspectives as well as their lives.
Aziza learned early that life can be hard, but when she loses her husband and manages to procure a wish, she finds herself fighting bureau?cracy and inequality for the right to have - and make - that wish. Nour is a privileged college student who secretly struggles with depression and must decide whether or not to use their wish to try to "fix" this depression, and then figure out how to do it.
A celebrated masterwork shimmering with vulnerability from one of alt-manga's most important female artists."Now that we've woken from the dream, what are we going to do?" Chiharu thinks to herself, rubbing her husband's head affectionately.Set in an apartment complex on the outskirts of Tokyo, Murasaki Yamada's Talk to My Back (1981-84) explores the fraying of Japan's suburban middle-class dreams through a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant.
While engaging frankly with the compromises of marriage and motherhood, Yamada remains generous with the characters who fetter her protagonist. When her husband has an affair, Chiharu feels that she, too, has broken the marital contract by straying from the template of the happy housewife.
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